article · Transfers · 2018

Reassembling Musicality

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Abstract

Reassembly, curated by G Douglas Barrett and Petros Touloudi Tinos, Greece 5 July 2017 to 31 October 2017 The free movement of bodies and objects once considered critical for the smooth functioning of contemporary art has appeared, especially since 2017, increasingly uncertain in this era marked by new forms of nationalism, xenophobia, and economic isolationism. Indeed, many artists working in this environment have found it difficult or impossible to cross once unquestionably open borders, or to ship works to and from exhibitions held across a requisitely international stage. As an attempt to respond to this crisis, I, along with Petros Touloudis, curated Reassembly, an exhibition held in the summer of 2017 on the island of Tinos, Greece. The exhibition came out of an annual residency program organized by Touloudis’s Tinos Quarry Platform and was held at the Cultural Foundation of Tinos. Overall, we wanted to ask if there is a critical role for music can play in the field contemporary art, especially as its plagued by new forms of border policing and geopolitical conflict.

Cite this paper

APA 7

Barrett, G. D. (2018). Reassembling Musicality. Transfers, 8(3), 130–134. https://doi.org/10.3167/trans.2018.080310

MLA 9

Barrett, G Douglas. “Reassembling Musicality.” Transfers, vol. 8, no. 3, 2018, pp. 130–34, https://doi.org/10.3167/trans.2018.080310.

Chicago

Barrett, G Douglas. 2018. “Reassembling Musicality.” Transfers 8 (3): 130–34. https://doi.org/10.3167/trans.2018.080310.

Harvard

Barrett, G.D. (2018) ‘Reassembling Musicality’, Transfers, 8(3), pp. 130–134. Available at: https://doi.org/10.3167/trans.2018.080310.

BibTeX

@article{barrett2018reassembling,
  title = {{Reassembling Musicality}},
  author = {Barrett, G Douglas},
  journal = {Transfers},
  volume = {8},
  number = {3},
  pages = {130--134},
  year = {2018},
  doi = {10.3167/trans.2018.080310}
}

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