book chapter · 1996

Performance Practice

Cited by 0Abstract and details only

Abstract

Abstract Details concerning the size and nature of the musical forces employed in seventeenth-century North German church music survive either in the form of original documents or in nineteenth- and early twentieth-century musicological studies of sources that were lost in the Second World War. The archival studies by Lisette Krilger on Hamburg and by Hermann Rauschning on Danzig are particularly interesting as they contain transcriptions of several documents that provide information going far beyond a mere listing of numbers of musicians available.

Cite this paper

APA 7

Webber, G. (1996). Performance Practice. https://doi.org/10.1093/oso/9780198162124.003.0010

MLA 9

Webber, Geoffrey. “Performance Practice.” 1996, pp. 175–93, https://doi.org/10.1093/oso/9780198162124.003.0010.

Chicago

Webber, Geoffrey. 1996. “Performance Practice.” https://doi.org/10.1093/oso/9780198162124.003.0010.

Harvard

Webber, G. (1996) ‘Performance Practice’. Available at: https://doi.org/10.1093/oso/9780198162124.003.0010.

BibTeX

@incollection{webber1996performance,
  title = {{Performance Practice}},
  author = {Webber, Geoffrey},
  pages = {175--193},
  year = {1996},
  doi = {10.1093/oso/9780198162124.003.0010}
}

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