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About 10,000 papers for “Cascade”
MaLab621 · Zenodo (CERN European Organization for Nuclear Research) · 2023
A bioinformatics tool named 'Cancer Aggressiveness via Single-Cell Analysis During Evolution' (or CASCADE) is developed to characterize a tumor ecosystem and monitor its evolution based on tumor lineage and ecology.
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Gorse, Pierre (1816-1875). Fonction indéterminée, Becquet. Fonction indéterminée, Sarthe. Fonction indéterminée et al. · Gallica (Bibliothèque nationale de France)
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Talman, William · Cardinal Scholar (Ball State University)
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Rupprecht, Peter, , Adrian, , Henry et al. · Zenodo (CERN European Organization for Nuclear Research) · 2021
Stable release from September 2021 / associated with Rupprecht et al., Nat Neuro (2021)
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Gorse, Pierre (1816-1875)
Fait partie d'un album de planches dessinées et lithographiées par Gorse. Imprimerie Becquet à Paris. Page de titre lithographiée. Carte des environs de Luchon dressée par Pierre Gorse avec la mention "Gravé chez Avril frères à Paris. Table des matières in fine.
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R Pacciani, M Marconcini, A Arnone et al. · 2011
An assessment of the laminar kinetic energy concept for the prediction of high-lift, low-Reynolds number
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Robleto, Dario · 1920
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Katja Tielbörger, Cornelia Claus · Open MIND · 2018
Illustrationen
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Booze, Elisabeth L. · Digital Commons - DU (University of Denver) · 2024
Set in Colorado Springs, Cascade is a novel detailing the unraveling senses of belonging of its cast of characters. At the start of the novel Isa’s adoptive father, Ottis, leaves the city where they’ve built a life as a small, makeshift family. Isa and her mother Teresa, brother Zo, and best friend Cherry are left to confront their individual and collective modes of survival in Colorado Springs. As a novel, Cascade is concerned with a less critically engaged edge of the black diaspora in America: the realities and peculiarities of being black the Mountain West, in a city that did not experience a major historical black migration but has an established black population due only to the military and scattered migrations of black individuals and families.\nWhile Cascade is the novel-in-progress examining these layers through detailing the lived experiences of its characters, the critical afterword is a craft essay exploring Cascade’s theoretical and spiritual underpinnings, as well as tracing its future potential. This afterword explores the influence of Black Geographies further, along with the novel’s engagement with reality TV, epiphenomenal time, craft questions of fiction and the true story, and the idea of ancestor as muse. As a whole, this project seeks to explore some of these seams between geography, blackness, the construction of family, and how we can use narrative to navigate the space between the living and the dead.
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2014
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Aubert, Jean-Louis · 1992
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Miller, Bryan E. · Scholarship - Claremont (Claremont Colleges) · 2011
https://scholarship.claremont.edu/cgu_mfaexhibits/1755/thumbnail.jpg
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Vecsey Ferenc (1893-1935) · University of Debrecen Electronic Archive (University of Debrecen) · 2012
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PC Solutions · Bulletin of Miscellaneous Information (Royal Gardens Kew) · 1993
Like all the best strategy games, CASCADE is easy to learn and yet tough to actually master. On playing the game you are presented with a maze of letters, scattered with balls and other objects. Each player (you v Computer) takes turns to remove a letter, and the balls cascade down the gaps left. On reaching the bottom, they will enter your hopper and add a value to your score. This value is normally 1, but is changed if a ball hits a NEGATOR or DOUBLER in its travels. NEGATORS and DOUBLERS act as TOGGLES - ie. hitting a DOUBLER once turns the mode on, hit it again and its switched off. Hitting a BONUS is normally worth 4 points, although this becomes -4 points if NEGATE mode is on, or double that if DOUBLE mode is on. If you hit a flask of GELIGNITE you will clear a path adjacent to that square. When you hit a REGENERATOR, part of the maze is regenerated, and some extra balls are dropped in at the top.
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ROYAL ARTILLERY ORCHESTRA, F. Curzon, Major O. W. Geary · Bulletin of Miscellaneous Information (Royal Gardens Kew)
Performer: ROYAL ARTILLERY ORCHESTRA Writer: F. Curzon (Concert Waltz); Conducted by. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 2.0mil CT, 2.3mil CT, 2.8mil CT, 3.3mil CT. These were recorded flat and then also equalized with Turnover: 400, Rolloff: -12. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: BH140C Catalog number: OT.2104 Other IDs from the record include: BH140C; BH.140c
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Hauser, Bryce Matthew · Digital Collections (East Carolina University) · 2010
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Pluto Press eBooks · 2015
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Batchelor, Peter · DMU Open Research Archive (De Montfort University) · 2018
Much of my research to date has been concerned with the relationship between acousmatic compositional practice and sound art. In Batchelor 2015, I attempted to identify some potential overlaps and compatibilities between these two apparently incompatible forms which might prove fruitful when applied to broader, Sound Art-related practice. A not inconsiderable part of my discussion concerned the relevance of acousmatic music to a wider listenership, and how such work might be brought to new audiences. I argue that there is much to be gained from the application of acousmatic compositional techniques and practices to sound art contexts, and that detailed ‘musical’ as well as referential listening might be encouraged in real-world contexts if appropriate strategies are implemented to accommodate it. \n \nOne of the aspects of acousmatic music most immediately compelling to the uninitiated listener is the deployment of sound in space. However, the large-scale coordinated multichannel speaker arrays required for the high-quality presentation of acousmatic works are usually seen as the preserve of institutions who can provide the resource required for reliable, high quality signal processing and sample-accurate digital audio conversion. Recent developments in low-cost computing, however, allow affordable distributed networks which, while requiring certain compromises and modifications to workflow, can nevertheless accommodate rich acousmatic soundscape generation over multiple channels at a relatively low cost. This in turn permits the development of particularly extravagant multichannel arrays. \n \nAs such, since 2004, I have been developing a series of works, collectively entitled GRIDs, comprising such affordable, user-defined multichannel arrays. These are sculptural insofar as they are physical, navigable objects comprising geometric configurations of many (in some cases potentially hundreds of) loudspeakers. Being so massively (and geometrically) multichannel, they permit the generation of extremely intricate and immersive spatial sound environments, which encourage ambulatory investigation and scrutiny. My approach to the composition of material for all of these environments has emerged directly from an acousmatic compositional aesthetic and associated spatialisation practice, employed with a view to exploring how listeners might engage with constructed image space (e.g. experiencing it through, beyond, or within the physical object). \n \nThe current work, Cascade (2018), presents a flat-panel array of 256 small loudspeakers suspended in a 16x16 array above the listener. The volume of speakers is accommodated by the use of affordable technologies as described above—in this case, networked Raspberry Pi computers and cheap multichannel gaming interfaces. Aside from exploring the technical and aesthetic challenges inherent in managing such volumes of loudspeakers with a view to creating a coherent spatial sound environment, the installation seeks, through a series of short compositions, to consider the deployment of acousmatic compositional materials and strategies across the ‘flat panel’ speaker space. \n \nBatchelor, P., 2015. Acousmatic Approaches to the Construction of Image and Space in Sound Art. Organised Sound, 20(2), pp.148-159. \n \nFor further information: http://www.peterbatchelor.com/cascade
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Yulios Zavala, Jeferson Wilian, Godoy Stênico et al. · 2014
Abstract � In this work, we present a traffic classifier based on the theory of multifractal network traffic. We use precisely the concept of multiplicative binomial cascades to get a feature vector to be used in the classification scheme. This vector is obtained by the multiplier variances of the multiplicative cascade traffic view. We analyze the performance of the technique proposed by a popular ML Software-based and the results showed viability classification rates of traffic over 90%. 1.
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Foster, T., Zhao, L. · Research Explorer (The University of Manchester) · 1999
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