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About 10,000 papers for “Cipher”
Bulletin of Miscellaneous Information (Royal Gardens Kew) · 1992
The idea of Cipher is to unscramble or decipher a coded phrase by replacing letters in the phrase with letters you think are correct. You will be told when the phrase has been successfully deciphered.
Cited by 0
Carrillo, Laura Michelle · Iowa State University Digital Repository (Iowa State University) · 1997
Cited by 0Open access
http://www.klawitter.de/palm/ · Bulletin of Miscellaneous Information (Royal Gardens Kew) · 2000
Cipher is a small application designed to keep your secrets really secret by enciphering them with one of the most reliable encryption algorithms. It is a mobile encryption gadget that fits into all other programs on the handheld, anywhere you might want to store personal information.
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Kellam, Grayce · Digital Commons - Winthrop University (Winthrop University) · 2022
The act of physically creating art is an opportunity for me to escape briefly from the crushing weight of otherness in an oppressive society. The process of creating is a way to better understand myself and explore my experiences. For me, art is a vicious cycle. While I find comfort in making, once the work is finished, the cycle starts over again, and I have to create a new piece in order to find relief. Cartography is a key element of this series. Through map-making, I provide an inherently conceptual space where every material is deliberately chosen, has a specific meaning, and is arranged according to its purpose. These decisions manifest in my work in many ways, such as using rice as a symbol for abuse in Cipher. Coding my experiences and personal traumas is a way for me to organize and understand my thoughts while also granting me protection. My art is intricately connected to my experiences as a human, and I have to process it as an artist through performance in order to create something authentic. I work with physical representations of my trauma and then use my body as a tool to explore each space. During this process, I am able to create distance and space to view my experiences through a new lens. My performances respond to physical objects or sculptures, and the physical objects act as residual elements of my performance.
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Trevor Ketner · Cream city review · 2015
Cipher Trevor Ketner (bio) The tower across the street from the café bricked in a window or the possibility of light shut up with bricks that don’t quite match the preexisting stonework, the shade of age being impossible to replicate. I saw thisthrough the glass door of the café propped open or the possibility of bleeding what is out into what is in. I wonder how many vegan, raspberry bars would go uneaten if they closed that door, how many vegan, queer men would bike down the street and order an Americano to go from some other person with blue swaths on their body instead of standing next to me in line, both of us searching the other man’s shoes for that subtle rune meaning yes. [End Page 52] Trevor Ketner Trevor Ketner is an MFA candidate in poetry at the University of Minnesota. His work is included in Best New Poets 2015, Pleiades, The Adroit Journal, The Offing, The Rumpus, The Journal, Hayden’s Ferry Review’s The Dock and elsewhere. He serves as a poetry reader for Slice Magazine. Copyright © 2015 University of Wisconsin Board of Regents
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O'Keeffe, Paul · 1990
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Shakespeare's Insults · 2016
(A) Zero, nought, hence naught (ie worthless). Derived from old French cyfre (chiffre in modern French) and from medieval Latin cifra, cifera, ciphra (from Arabic çifr, the arithmetical symbol ‘zero’ or ‘nought’). When placed after any figure, it increases its value tenfold, and when placed before a
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J. W., · HighWire Press Open Archive
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Trevor Ketner · Project Muse (Johns Hopkins University) · 2016
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Arcanum Computing · Bulletin of Miscellaneous Information (Royal Gardens Kew) · 1991
The idea of Cipher is to unscramble or decipher a coded phrase by replacing letters in the phrase with letters you think are correct. You will be told when the phrase has been successfully deciphered.
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Encyclopedia of Database Systems · 2009
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Martin H. Weik · 2000
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A. Alkalbany, H. Al Hassan, M. Saeb · 2013
Abstract---The “PYRAMIDS ” Block Cipher is a symmetric encryption algorithm of a 64, 128, 256-bit length, that accepts a variable key length of 128, 192, 256 bits. The algorithm is an iterated cipher consisting of repeated applications of a simple round transformation with different operations and different sequence in each round. The algorithm was previously software implemented in C ++ code. In this paper, a hardware implementation of the algorithm, using Field Programmable Gate Arrays (FPGA), is presented. In this work, we discuss the algorithm, the implemented micro-architecture, and the simulation and implementation results. Moreover, we present a detailed comparison with other implemented standard algorithms. In addition, we include the floor plan as well as the circuit diagrams of the various micro-architecture modules. Keywords---FPGA, VHDL, micro-architecture, encryption, cryptography, algorithm, data communication security.
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Kellam, Grayce · Digital Commons - Winthrop University (Winthrop University) · 2022
The act of physically creating art is an opportunity for me to escape briefly from the crushing weight of otherness in an oppressive society. The process of creating is a way to better understand myself and explore my experiences. For me, art is a vicious cycle. While I find comfort in making, once the work is finished, the cycle starts over again, and I have to create a new piece in order to find relief. Cartography is a key element of this series. Through map-making, I provide an inherently conceptual space where every material is deliberately chosen, has a specific meaning, and is arranged according to its purpose. These decisions manifest in my work in many ways, such as using rice as a symbol for abuse in Cipher. Coding my experiences and personal traumas is a way for me to organize and understand my thoughts while also granting me protection. My art is intricately connected to my experiences as a human, and I have to process it as an artist through performance in order to create something authentic. I work with physical representations of my trauma and then use my body as a tool to explore each space. During this process, I am able to create distance and space to view my experiences through a new lens. My performances respond to physical objects or sculptures, and the physical objects act as residual elements of my performance.
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2026
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Simpson, Diana · Research Repository (Kingston University London) · 2007
‘...I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.’ (Umberto Eco) \n \nCipher explores a range of sound material associated with cryptography. Through the use of Morse code rhythms, mechanisms and electrical sparks, there are references to early mechanical devices built for code making and breaking purposes, in particular the Enigma encryption machine used during World War II. These elements are continually being revealed, obscured, repeated or interrupted, as is possible in the transmission of any code. Over the course of the piece, broken elements gradually merge to reveal voices, often very fragmented, and rarely intelligible. \n \nThe original sound material was gathered from a variety of sources and includes Morse code, a typewriter, small mechanical parts and glass fragments. In addition, much of what might initially seem mechanical or ‘glitch’ to the listener may be derived from recordings of extended vocal techniques, performed by Sarah Alexander. \n \nThe work was composed during a Bourges Competition residency at CEMI, the Center for Experimental Music and Intermedia at the University of North Texas, USA.
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Laura Michelle Carrillo · 1997
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G. L. H. · Notes and Queries · 1875
Journal Article Cipher Get access G. L. H. G. L. H. 1Greenville, Ala Search for other works by this author on: Oxford Academic Google Scholar Notes and Queries, Volume s5-III, Issue 62, 6 March 1875, Page 197, https://doi.org/10.1093/nq/s5-III.62.197d Published: 06 March 1875
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Valerie Wohlfeld · JAMA · 2015
Our website uses cookies to enhance your experience. By continuing to use our site, or clicking "Continue," you are agreeing to our Cookie Policy | Continue JAMA HomeNew OnlineCurrent IssueFor Authors Publications JAMA JAMA Network Open JAMA Cardiology JAMA Dermatology JAMA Health Forum JAMA Internal Medicine JAMA Neurology JAMA Oncology JAMA Ophthalmology JAMA Otolaryngology–Head & Neck Surgery JAMA Pediatrics JAMA Psychiatry JAMA Surgery Archives of Neurology & Psychiatry (1919-1959) Podcasts Clinical Reviews Editors' Summary Medical News Author Interviews More JN Learning / CMESubscribeJobsInstitutions / LibrariansReprints & Permissions Terms of Use | Privacy Policy | Accessibility Statement 2023 American Medical Association. All Rights Reserved Search All JAMA JAMA Network Open JAMA Cardiology JAMA Dermatology JAMA Forum Archive JAMA Health Forum JAMA Internal Medicine JAMA Neurology JAMA Oncology JAMA Ophthalmology JAMA Otolaryngology–Head & Neck Surgery JAMA Pediatrics JAMA Psychiatry JAMA Surgery Archives of Neurology & Psychiatry Input Search Term Sign In Individual Sign In Sign inCreate an Account Access through your institution Sign In Purchase Options: Buy this article Rent this article Subscribe to the JAMA journal
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HEIKE FIEDLER, STEVE BUCHANAN, KRUNO JOST · Bulletin of Miscellaneous Information (Royal Gardens Kew)
MUSICIANS: HEIKE FIEDLER: vocals and lyrics, traverse flute, melodia STEVE BUCHANAN: 2nd line, electronics, el. guitar, alto sax KRUNO JOST: laptop, classical guitar, el. guitar, melodia RECORDED 2007, GENEVA MASTERING BY GIJS BORSTLAP @ KAISERLABEL.COM RUNNING TIME: 26 TRACKS, 25:23 min (here all as one track) GentleJunk co. rec. 08. http://gentlejunk.net PUBLISHED BY: URBAN CULTURE AND EDUCATION www.uke.hr EDITION: 100 COVER: Kruno Jost
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