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About 10,000 papers for “Color depth”

Color Depth

Catie Newell, Ryan Craney · SHILAP Revista de lepidopterología · 2022

Color Depth is a material-based research project investigating the optical and structural properties of thick glass. The research is driven by an interest in optical gradients of transparency and color, which are designed through a manipulation of geometric form and composition. These qualities can be attributed to the interrelated optical effects created through reflection, refraction, and volume color, in direct correlation to the geometry of individual glass pieces and overall glass assemblies. An example of this can be seen in viewing a monolithic volume of glass that would appear to change color by varying the depths of its form. This concept was originally discussed in Josef Albers’ Interaction of Colour, and applied more specifically to glass in recent essays by Heike Brachlow. Color Depth utilizes this phenomenon of perceived color variation to construct and analyze architectural glass forms in both physical prototypes and design speculation. To evaluate architectural design opportunities, a multi-objective optimization workflow simulates and evaluates varying glass colors, forms, and compositions to achieve a desired visual effect. Additionally, the digital optimization process reveals patterns and visual effects that further the understanding of optical gradients when applied in an architectural context with various seasonal and diurnal environments. Keying into the geometry of glass– to deploy changes in color, darkness, or translucency—Color Depth ties together the physical attributes of a material system with its surrounding light.

Cited by 0Open access

Depth of Color

Sunhyung Cho · 2017

This design transposes verbal descriptions to tactile ones to extend the aesthetic color ranges of people living with vision impairments. Tactile expression of color is a new approach in clothing design that expresses the color without exploiting visual elements. To express the depth of color, the designer employed a laser cutting technique to communicate changes in color hues by creating cutouts from a fabric overlay that has a strong tactile texture to reveal a hand-hand painted colorful fabric underneath. The designer laser-cut the main textile of the first layer with ellipses of various sizes. The size of the ellipse corresponds to the size of the shape where lighter shades of blue are represented by smaller circles and darker shades are represented by more elongated ellipses. This results in a strong aesthetic effect where the garment represents the deep and lighter colors by the variation of frequency or size of the circles.

Cited by 0Open access

Depth of Color

Cho, Sunhyung · Iowa State University Digital Repository (Iowa State University) · 2017

This design transposes verbal descriptions to tactile ones to extend the aesthetic color ranges of people living with vision impairments. Tactile expression of color is a new approach in clothing design that expresses the color without exploiting visual elements. To express the depth of color, the designer employed a laser cutting technique to communicate changes in color hues by creating cutouts from a fabric overlay that has a strong tactile texture to reveal a hand-hand painted colorful fabric underneath. The designer laser-cut the main textile of the first layer with ellipses of various sizes. The size of the ellipse corresponds to the size of the shape where lighter shades of blue are represented by smaller circles and darker shades are represented by more elongated ellipses. This results in a strong aesthetic effect where the garment represents the deep and lighter colors by the variation of frequency or size of the circles.

Cited by 0Open access

Gen1 Color Depth MIPs

Otsuna, Hideo, Kawase, Takashi, Ito, Masayoshi · Janelia Research Repository · 2018

Color depth MIP files for Gen1 GAL4 and LexA brains and VNCs.<br>For the construction of Janelia and VT GAL4 lines, see the below references.<br><br>

Cited by 0Open access

Gen1 Color Depth MIPs

Otsuna, Hideo, Kawase, Takashi, Ito, Masayoshi · Janelia Research Repository · 2020

Color depth MIP files for Gen1 GAL4 and LexA brains and VNCs.<br>For the construction of Janelia and VT GAL4 lines, see the below references.<br><br>

Cited by 0Open access

Gen1 Color Depth MIPs

Otsuna, Hideo, Kawase, Takashi, Ito, Masayoshi · Janelia Research Repository · 2020

Color depth MIP files for Gen1 GAL4 and LexA brains and VNCs.<br>For the construction of Janelia and VT GAL4 lines, see the below references.<br><br>

Cited by 0Open access

Gen1 Color Depth MIPs

Otsuna, Hideo, Kawase, Takashi, Ito, Masayoshi · Janelia Research Repository · 2020

Color depth MIP files for Gen1 GAL4 and LexA brains and VNCs.<br>For the construction of Janelia and VT GAL4 lines, see the below references.<br><br>

Cited by 0Open access

Gen1 Color Depth MIPs

Otsuna, Hideo, Kawase, Takashi, Ito, Masayoshi · Janelia Research Repository · 2020

Color depth MIP files for Gen1 GAL4 and LexA brains and VNCs. Downloadable archives are publicly available at https://open.quiltdata.com/b/janelia-flylight-color-depth/tree/Color_Depth_MIPs_For_Download. <br>For the construction of Janelia and VT GAL4 lines, see the below references.<br><br>

Cited by 0Open access

Gen1 Color Depth MIPs

Otsuna, Hideo, Kawase, Takashi, Ito, Masayoshi · Janelia Research Repository · 2020

Color depth MIP files for Gen1 GAL4 and LexA brains and VNCs. Downloadable archives are publicly available at https://open.quiltdata.com/b/janelia-flylight-color-depth/tree/Color_Depth_MIPs_For_Download. <br>For the construction of Janelia and VT GAL4 lines, see the below references.<br><br>

Cited by 0Open access

Gen1 Color Depth MIPs

Otsuna, Hideo, Kawase, Takashi, Ito, Masayoshi · Janelia Research Repository · 2020

Color depth MIP files for Gen1 GAL4 and LexA brains and VNCs. Downloadable archives are publicly available at:<br>https://open.quiltdata.com/b/janelia-flylight-color-depth/tree/Color_Depth_MIPs_For_Download/ <br>For the construction of Janelia and VT GAL4 lines, see the below references.<br>

Cited by 0Open access

Gen1 Color Depth MIPs

Otsuna, Hideo, Kawase, Takashi, Ito, Masayoshi · Janelia Research Repository · 2020

Color depth MIP files for Gen1 GAL4 and LexA brains and VNCs.<br>For the construction of Janelia and VT GAL4 lines, see the below references.<br><br>

Cited by 0Open access

Transparency, depth, color, and contour

Ken Nakayama · Optical Society of America Annual Meeting · 1990

I present a series of stereoscopic demonstrations to show that the perception of transparency is closely related to luminance, contour, and depth. An image region is seen as transparent if it is of intermediate luminance relative to adjacent image regions, if it is perceived to be in front of another region, and if it has a border that provides information indicating that a surface is visible through this region. Yet transparency is not a passive end product of these required conditions. If transparency is seen, a number of seemingly more elemental perceptual primitives such as color, contour, and depth, can be radically altered. Thus, with the perception of transparency, neon-color spreading becomes apparent, contours can disappear, and depth can be profoundly altered.

Cited by 0

CloudCompare Depth Map color schemes

Matteo Belvedere · Figshare · 2020

Here are some of the most used colour scheme used in ichnology to generate false-colour depth maps for in CloudCompare.<br>

Cited by 1Open access

CloudCompare Depth Map color schemes

Matteo Belvedere · Figshare · 2022

Here are some of the most used colour scheme used in ichnology to generate false-colour depth maps for in CloudCompare.<br>

Cited by 0Open access

CloudCompare Depth Map color schemes

Belvedere, Matteo · Figshare · 2022

Here are some of the most used colour scheme used in ichnology to generate false-colour depth maps for in CloudCompare.<br>

Cited by 2Open access

sitemaps-and-depth-color-maps.zip

Lallensack, Jens · Figshare · 2019

Orthophotos, Depth-Color maps and sitemaps of Tafaytour Tracksite A, divided into four sections.

Cited by 0Open access