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About 10,000 papers for “Color space”

Color Space

Herbert Blitzer, Karen Stein-Ferguson, Jeffrey Huang · Elsevier eBooks · 2008

Cited by 0

Color and Space

Miller, Janel · Deep Blue (University of Michigan) · 2008

School of Art and Design: Integrative Project Thesis

Cited by 0Open access

Live Color Space

Thyberg, Maria · Chalmers Publication Library (Chalmers University of Technology) · 2012

This thesis investigates the notion of color space by describing moments of color in space by practical installations and by explaining some terminology as a short theoretical background.That is made by working multi-sensorial with aspects such as space, color, material, weight, sound, symbols, time and layers.The work is documented with photos, videos, sounds, notes, as an event in a web based social forum and the blog www.miathyberg.com.The installation Live Color Space was a performance that lasted for 20 minutes and resulted as piles of clothes arranged in a big atrium by throwing them from the fifth floor.The action was made by three actors following a given scheme based upon a painting and conducted by me.The process is described based on facts alternated with findings.The findings are sometimes of a scientific character and at other times more like poetic reflections .Some of the findings are represented as pictures with no writing.

Cited by 0Open access

RGB Color Space

Wolfram Demonstrations Project · 2008

The RGB color space is a way of specifying colors based on the mixing of different colors of light. RGB stands for red/green/blue, the three colors in this space. By mixing them, you can create any color your computer is capable of displaying.

Cited by 0Open access

Color and Space

Timothy Diffenderfer · CU Scholar (University of Colorado Boulder) · 1980

<p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"><span style="font-size: 10pt; font-family: Arial; color: #000000; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">My past imagery has dealt with the landscape using typical motifs of everyday visual imagery such as trees, rocks, grass, etc.&nbsp;</span> <p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"><span style="font-size: 10pt; font-family: Arial; color: #000000; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">While in Graduate school I have had necessary time to investigate further my personal feelings with the visual qualities of a two-dimensional art form.&nbsp;</span> <p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"><span style="font-size: 10pt; font-family: Arial; color: #000000; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">The interaction of color is a study I have chosen to pursue for various reasons. I am concerned with the psychological affect color has upon us in rel~tion to our everyday man-made and natural environment. I have recognized that color schemes are in no way infallible. Natural color harmonies seem to exist and, or evolve without question; they are interesting and valuable to study. Yet if one accepts them too completely he may neglect his own personal feelings.</span> <p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"><span style="font-size: 10pt; font-family: Arial; color: #000000; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">I feel the spatially constructed drawings have been a natural result in my studies which has led me to facilitate further use and knowledge of color awareness.</span> &nbsp;

Cited by 0Open access

Light, Color, Space

Ondřej Kotrč · Digital Repository (National Repository of Grey Literature) · 2013

Cited by 0

Color and Space

Diffenderfer, Timothy · CU Scholar (University of Colorado Boulder) · 1980

&lt;p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: #000000; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"&gt;My past imagery has dealt with the landscape using typical motifs of everyday visual imagery such as trees, rocks, grass, etc.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;\n&lt;p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: #000000; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"&gt;While in Graduate school I have had necessary time to investigate further my personal feelings with the visual qualities of a two-dimensional art form.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;\n&lt;p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: #000000; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"&gt;The interaction of color is a study I have chosen to pursue for various reasons. I am concerned with the psychological affect color has upon us in rel~tion to our everyday man-made and natural environment. I have recognized that color schemes are in no way infallible. Natural color harmonies seem to exist and, or evolve without question; they are interesting and valuable to study. Yet if one accepts them too completely he may neglect his own personal feelings.&lt;/span&gt;&lt;/p&gt;\n&lt;p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: #000000; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"&gt;I feel the spatially constructed drawings have been a natural result in my studies which has led me to facilitate further use and knowledge of color awareness.&lt;/span&gt;&lt;/p&gt;\n&lt;p&gt;&amp;nbsp;&lt;/p&gt;

Cited by 0Open access

HSV Color Space

A.N. Grekov · TIB Data Manager · 2024

Cited by 0Open access

Color Space Conversions

Stefan Winkler · 2005

The conversions make use of the function Digital Video Quality -Vision Models and Metrics

Cited by 59Open access

Color transfer in correlated color space

Xuezhong Xiao, Lizhuang Ma · 2006

In this paper we present a process called color transfer which can borrow one image's color characteristics from another. Recently Reinhard and his colleagues reported a pioneering work of color transfer. Their technology can produce very believable results, but has to transform pixel values from RGB to lαβ. Inspired by their work, we advise an approach which can directly deal with the color transfer in any 3D space.From the view of statistics, we consider pixel's value as a three-dimension stochastic variable and an image as a set of samples, so the correlations between three components can be measured by covariance. Our method imports covariance between three components of pixel values while calculate the mean along each of the three axes. Then we decompose the covariance matrix using SVD algorithm and get a rotation matrix. Finally we can scale, rotate and shift pixel data of target image to fit data points' cluster of source image in the current color space and get resultant image which takes on source image's look and feel. Besides the global processing, a swatch-based method is introduced in order to manipulate images' color more elaborately. Experimental results confirm the validity and usefulness of our method.

Cited by 182

Color Space of Coloroid Color System

Antal Nemcsios · 1987

The Coloroid colour space has been developed relying on results of harmony threshold tests on over 70 thousand subjects. Comparison of the Coloroid colour atlas representing its colour space, and of the colour sortiment of the Munsell colour atlas points out theoretically describable differences between both colour spaces.

Cited by 0

KEY WORDS: Metric of color space Uniformity of color space

J. R. Jimenez, E. Hita, J. Romero et al. · 2013

Mbtrique de I&amp;apos;cspace de la EOU~CUC Uniformit6 des systh &amp;quot; de reprbsentation de la couleur La courbure sealaire de I&amp;apos;espace de la couleur comme une source d&amp;apos;information sur I&amp;apos;uniformitk des systemes de reprbentation de la eouleur SUMMARY: The solution of the differential Eq. A, w = (where A, is the Laplace operator with respect to the metric g and p is the scalv curvature) can provide some information in order to obtain an isotropic color space. i.e. a System in which the differential chromaticity thresholds are circles of different sizes. In three dimensions Weylr &amp;apos; theorem offers a geometric criterion to analyze new line elements from a practical Viewpoint. 2 RI%UMb: Dam ce travail on montrc comment la oolurion de I&amp;apos;dquation diffbrentielle A, o = plZ (d A, represent = I&amp;apos;opbrateur Laplacien de la mdtrique g et p est la courbure scalaire) p ut foumir une information pour obtenir un espace isofrope de la coulcur. c&amp;apos;cst-%-dire: un systhme tcl que les seuils diffdrentiels de chromaticit6 soient repr6sent6s par der cedes dc diffbrentes tailles.

Cited by 0