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About 10,000 papers for “Design studio”

Design Studio

Jiangmei May Yuan · The Research Repository @ WVU (West Virginia University) · 2017

Cited by 0

Design Studio

Yuan, Jiangmei May · The Research Repository @ WVU (West Virginia University) · 2017

Cited by 0

Design Studio

Kale, Ugur · The Research Repository @ WVU (West Virginia University) · 2022

Cited by 0

Design Studio

Kale, Ugur · The Research Repository @ WVU (West Virginia University) · 2022

Cited by 0

Design Studio

Yuan, Jiangmei May · The Research Repository @ WVU (West Virginia University) · 2019

Cited by 0

Design Studio

Yuan, Jiangmei May · The Research Repository @ WVU (West Virginia University) · 2019

Cited by 0

Design Studio

Kale, Ugur · The Research Repository @ WVU (West Virginia University) · 2022

Cited by 0

Design Studio

Kale, Ugur · The Research Repository @ WVU (West Virginia University) · 2022

Cited by 0

Design Studio: DMSi

Melchior, Evan, Maloney, Madison, Brockmeier, Charlie et al. · Insecta mundi · 2024

Distribution Management Systems, Inc. (DMSi) has an online system in place to collect data, including solutions to customer questions and curated “How Tos”/FAQs. This information takes time to be able to properly filter and search, causing delays in answers provided to customers by the customer service department, especially when speaking over the phone. The project’s goal is that given structured and unstructured data, support personnel have a tool to ask questions in natural language and receive valid answers and information sources. The ideal tool to serve as the solution: a fully deployed Chatbot embedded into DMSi internal environments. This would include the architecture and processes built for future customer use. Our vision statement for the project is as follows: “To accelerate DMSi’s customer help experience by equipping the support teams with an AI-powered knowledge retrieval tool.” This statement stayed consistent throughout the project and helped us align our goals we had.

Cited by 0

Recording Studio Design

Philip Newell · 2017

Recording Studio Design, Fourth Edition explains the key principles of successful studio design and construction using straightforward language and the use of practical examples appreciated by readers of previous editions. Updated to reflect new industry standards, this fourth edition addresses improvements in cinema sound, with specific attention paid to B-chain electroacoustic response and calibration. Using over 50 years’ experience, author Philip Newell provides detail on the practical aspects of recording in various environments, not only exploring the complex issues relating to the acoustics but also providing real-world solutions. While the book contains detailed discussions about performing rooms, control rooms, and mobile studios, concepts of the infrastructures are also discussed, because no studio can perform optimally unless the technical and human requirements are adequately provided for. In this new edition, sound for cinema provides a platform for highlighting many, wider electroacoustic topics in a way that is relatively easy to visualise. The way in which sound and vision interact is an important aspect of many modern multimedia formats. The new edition includes: A new Chapter 22 that will thoroughly reflect recently published SMPTE investigations which will drastically impact standards for cinema sound; The inclusion of new academic research and its practical applications; An entire new illustrated chapter on room construction principles; and The consolidation of ideas which were only emerging when the earlier editions were published.

Cited by 7

Recording Studio Design

Philip Newell · 2012

Using straight-forward language and practical examples, Philip Newell covers the key principles of making a successful studio construction. In this third edition of Recording Studio Design, he gives you the skills you need to avoid disaster and create an efficient and effective acoustical environment to record and produce the fineset audio. Learn from Newell's years of experience as he provides great detail on the practical recording application in various acoustic environments, and explores complex issues, providing real-world solutions. This new edition expands and develops on the topics from the previous editions, updating it for the digital age, so you have all the current information you need to build, adapt or update your recording studio.

Cited by 33

Design Studio 06U

Djokić, Vladan, Milojević, Milica, Pešić, Mladen · RAF (Faculty of Architecture, University of Belgrade) · 2023

The Design Studio 06U course is comprised of two parts: the research part (including field work on a specific spatial polygon, research of theoretical sources, current expert studies and relevant documents) and the design part (intervention ideas and designs within the city center and designing spatial concepts of different types of use of square space). Studio methodology comprises of joint work in the studio through lectures and interactive forms of teaching and individual research projects and designs that are structured in three independent parts – Seminar, Workshop and Design Studio.

Cited by 0Open access

NBC Studio Design

Robert Morris, G Nixon · The Journal of the Acoustical Society of America · 1936

The factors influencing the acoustical requirements of broadcast studios are discussed with the relation of studios one to another and to appurtenant spaces. A method of procedure is outlined, showing the embodiment of certain principles and data obtained from 10 years' experience in the design, construction, and operation of studio groups of various sizes. Studio groups recently designed and constructed by the NBC are described as examples of the application of these principles. A portion of the paper is devoted to other details such as characteristics of various acoustical treatments; discoloration of treatments due to “breathing” and means of control; the sound control of air conditioning, plumbing, electrical and heating systems; and the sound isolation required between studios and the building structure. Other essential empirical and experimental data are presented such as: optimum sizes and dimensions of studios for various numbers of occupants; optimum reverberation time and frequency characteristics; the arrangement and treatment of appurtenant spaces such as control and observation booths, vestibules, doors, windows, etc., fundamental requirements and recommended specifications for satisfactory acoustical performance.

Cited by 2Open access

Universal Design Studio

Annette Pedersen, Romesh Lakdasa Goonewardene · UWA Profiles and Research Repository (University of Western Australia) · 1999

Cited by 0