FLEx
Data Archiving and Networked Services (DANS)
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Flex
Santiago Echeverry · Project Muse (Johns Hopkins University) · 2014
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FLEX
Chun-Chuan Chuang · Lund University Publications Student Papers (Lund University) · 2022
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Flex
Givens, Austin · CUNY Academic Works (City University of New York) · 2013
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Flex
Haines, Agatha · Goldsmiths (University of London) · 2023
Project "Circumventive Organs" was exhibited at "Flex" exhibition at MOD museum South Australia. Please find the exhibition description and details below. FLEX was MOD.’s seventh in-gallery exhibition with 66,875 people coming to visit. This exhibition was open 17 January – 24 November 2023. FLEX was awarded Highly Commended Temporary or Travelling Exhibition at the 2023 Museums and Galleries National Awards presented at the Australian Museums and Galleries Association Conference 2023 in Newcastle, NSW. Are limits made to be pushed? We dare you to find out. Your capacity for pain will be put to the test and your perception of risk will be gauged in MOD.s new exhibition FLEX. Alter your form and find ways to play, where your body and the rules of the space it inhabits are different than here on Earth. Use your breathing to journey through an immersive deconstructed landscape and see if you make it out the other side. Navigate ethical challenges and tell us, where do you draw the line? FLEX that bit further, let’s see what you are capable of.
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FLEx
Americanae (AECID Library)
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Flex
McCorkill, Georgia · RMIT Research Repository (RMIT University Library) · 2017
BACKGROUND\nAs with all industrial products, clothing is problematic from both environmental and social perspectives, impacting environmentally through production, use and disposal while carrying a high social cost through its reliance on manual labour by a globalized workforce. What sets fashion apart from other industries is its heightened role as an expression of cultural and social value. Notions of novelty and change define fashion, enabling it to be culturally relevant. However, the manifestation of this change in material form entails a rate of production, consumption and disposal that our planet cannot sustain. These issues were explored in the didactic exhibition ‘Fast Fashion: The Dark Side of Fashion’, an exhibition from the Museum of Arts and Crafts in Hamburg (MKG) presented in Melbourne in collaboration with DBU Deutsche Bundesstiftung Umwelt and the Goethe-Institut.\nCONTRIBUTION\nThe Slow Fashion Studio was presented in response to the Fast Fashion exhibition. The works offered alternatives to the way fashion is produced, consumed and experienced. Georgia McCorkill was one of nine contributing designers. Her work "Flex" comprised three dresses that employ bespoke methods to fashion hand pleated heat set fabric into delicate eveningwear. The idea explored through these dresses is the role and potential of "old technology" within creative practice, informed by conversations with the last (precariously) remaining artisan textile pleater in Melbourne. When such locally-based manufacturing trades disappear, subsumed by the scale of global production systems, small or micro designers lose access to a diversity of tools and resources with which to fuel their creativity.\nSIGNIFICANCE\nThe slow fashion studio was exhibited as a local component of an international exhibition. The exhibition was reviewed by sustainable fashion writer Clare Press in The Age on 19 July 2017. Georgia was interviewed about the work on RMIT University's Art Design and Media Podcast.\n
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FLEX
Iverieli (National Parliamentary Library of Georgia) · 2014
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Flex
2019
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Flex
2025
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Flex
McCorkill, Georgia · RMIT Research Repository (RMIT University Library) · 2017
BACKGROUND\nAs with all industrial products, clothing is problematic from both environmental and social perspectives, impacting environmentally through production, use and disposal while carrying a high social cost through its reliance on manual labour by a globalized workforce. What sets fashion apart from other industries is its heightened role as an expression of cultural and social value. Notions of novelty and change define fashion, enabling it to be culturally relevant. However, the manifestation of this change in material form entails a rate of production, consumption and disposal that our planet cannot sustain. These issues were explored in the didactic exhibition ‘Fast Fashion: The Dark Side of Fashion’, an exhibition from the Museum of Arts and Crafts in Hamburg (MKG) presented in Melbourne in collaboration with DBU Deutsche Bundesstiftung Umwelt and the Goethe-Institut.\nCONTRIBUTION\nThe Slow Fashion Studio was presented in response to the Fast Fashion exhibition. The works offered alternatives to the way fashion is produced, consumed and experienced. Georgia McCorkill was one of nine contributing designers. Her work "Flex" comprised three dresses that employ bespoke methods to fashion hand pleated heat set fabric into delicate eveningwear. The idea explored through these dresses is the role and potential of "old technology" within creative practice, informed by conversations with the last (precariously) remaining artisan textile pleater in Melbourne. When such locally-based manufacturing trades disappear, subsumed by the scale of global production systems, small or micro designers lose access to a diversity of tools and resources with which to fuel their creativity.\nSIGNIFICANCE\nThe slow fashion studio was exhibited as a local component of an international exhibition. The exhibition was reviewed by sustainable fashion writer Clare Press in The Age on 19 July 2017. Georgia was interviewed about the work on RMIT University's Art Design and Media Podcast.\n
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FLEX
Chuang, Chun-Chuan · Lund University Publications Student Papers (Lund University) · 2022
The development of energy has an impact on the evolution of travel modes. With the iterative update of electrification on private and public transportation, micro-mobility has always been one of the essential options to support cities and commuters. With the explosive growth of shared transportation in the past decade, many companies have invested in the sharing economy market. In order to create a more sustainable way of travel, the current sharing model will be changed in the near future. This project aims to redefine the boundaries of sharing micro-mobility and explore the possibility of its character in modern cities in the future from the perspective of energy sharing.
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Flex
ZurgBassi · Bulletin of Miscellaneous Information (Royal Gardens Kew)
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FLEX
2014
FLEX was an exhibition organized in 2014 by Orlando Tirado that placed a new sculpture and performance of mine with contemporaries Math Bass, Dan Finsel, and Molly Lowe, alongside works by historical figures Richard Artschwager, James Lee Byars, Guy de Cointet, Marcel Duchamp, Robert Morris, and Myron Stout. This folio/catalog, released in conjunction with the exhibition and printed on folded newsprint, served as a checklist for the exhibition, provided historical context, and expanded on the exhibition’s aim to provide an “alternative to presupposed identity politics, one that re-defines the body against the grain of a representational impulse.” In an in-depth ...
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Flex
Zechner, Niklas · Språkbanken Text · 2025
Vilka är svenskans vanligaste ord? Det är kanske den vanligaste frågan som kommer till Språkbanken. Men den har inget självklart svar – vad som är det vanligaste ordet beror på sammanhanget! Det vanligaste ordet "totalt" är också omöjligt att säga, eftersom vi inte har en fullständig förteckning över all text som skrivs. I många fall kan det också vara användbart att se skillnader i hur ord används i olika sammanhang. Därför har vi skapat Flex, ett frekvenslexikon som bygger på inte bara en utan tre olika textmängder ur Språkbankens samlingar: romaner, tidningar och webbforum. Frekvenserna anges i förekomster per miljon ord.Datan baseras på Bonniersromaner 1 och 2, Nordstedtsromaner, Kubord 1 och Flashback. Bara "ord" som består av bokstäver, siffror och bindestreck har tagits med. För Flashback och Kubord har bara ord som förekommer minst fem gånger tagits med.
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FLEx
Data Archiving and Networked Services (DANS)
Cited by 0Open access
Flex
Tairone Patrik da Silva Moreira de Amorim · LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas) · 2018
Relatório (Estágio curricular) - Universidade Federal de Santa Catarina. Centro de Comunicação e Expressão. Departamento de Expressão Gráfica. Design.
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Flex
Givens, Austin · CUNY Academic Works (City University of New York) · 2013
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Introducing Flex and Flex Builder 2
Apress eBooks · 2007
In Chapter 1, you learned what Flex is, why it is important, and how to install it. This chapter is going to focus in on the mechanics of how to build a Flex application. Admittedly, it will be a broad overview, with greater detail provided in subsequent chapters.
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Introducing Flex and Flex Builder 3
Apress eBooks · 2008
Let’s start by having a look at where Flex fits into the bigger picture and then work our way deeper. Flex is a part of what is being referred to now as the Adobe Flash Platform. The Flash Platform is a family of tools that allow for the kind of dynamic interactivity that we have become familiar with through flash websites in a variety of uses. This includes Flash Lite, for mobile applications on cell phones and PDAs; Flash, the dominant tool for highly interactive websites; Flex, specialized for rich Internet applications; and AIR, for desktop applications. Each of these tools has a specialized purpose or environment of use, but all have the same technology under the hood, specifically the programming language ActionScript.
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