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Ophioglossum pendulum f. pendulum

Joseph Beal Steere · The Journal of the Abraham Lincoln Association · 1875

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Pendulum

Asta, Ava, Aylward, Aine, McKee, Juliana et al. · Scholars Crossing (Liberty University) · 2021

Our group created a colorful pendulum to represent two main concepts of the Gestalt Theory. The main tenants of the Gestalt Theory our team focused on were the Law of Continuation and the Law of Symmetry. First, the Law of Continuation was displayed by hanging three wooden balls in a row, equally spaced. The "line" the balls create, drags the eyes down to the last ball at the end. Second, the Law of Symmetry was present because of the colors displayed by the balls. The middle ball is pink, and the two outside balls are gold. In other words, the right side of the balls reflects the left side. Thirdly, motion is displayed because the balls were able to swing and be manipulated by the viewer. The materials for the construction of the pendulum consisted of three wooden balls, 2x4x10 wooden board, 3 1/2 inch multi-purpose screws, 80 grit sanding block, three cans of spray paint, one wooden skewer, and a clear cord/string to hang the balls.

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Pendulum

Walters, Kellie · Iowa State University Digital Repository (Iowa State University) · 2017

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Pendulum

Stuart Hilton · UCA Research Online (University for the Creative Arts) · 1991

Letraset and ink applied directly to the surface of clear 16mm film. A hypnotic mantra in the grand tradition of hypnotic mantra-like films. A film by Stuart Hilton made at the RCA 1991.

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Pendulum

Jan Scholten · TIB Data Manager · 2024

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pendulum

Andy Maloney · Figshare · 2015

A sketchup model for a simple force impaction device that uses a simple rigid pendulum to cause the impact

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Pendulum

Asta, Ava, Aylward, Aine, McKee, Juliana et al. · Scholars Crossing (Liberty University) · 2021

Our group created a colorful pendulum to represent two main concepts of the Gestalt Theory. The main tenants of the Gestalt Theory our team focused on were the Law of Continuation and the Law of Symmetry. First, the Law of Continuation was displayed by hanging three wooden balls in a row, equally spaced. The "line" the balls create, drags the eyes down to the last ball at the end. Second, the Law of Symmetry was present because of the colors displayed by the balls. The middle ball is pink, and the two outside balls are gold. In other words, the right side of the balls reflects the left side. Thirdly, motion is displayed because the balls were able to swing and be manipulated by the viewer.\nThe materials for the construction of the pendulum consisted of three wooden balls, 2x4x10 wooden board, 3 1/2 inch multi-purpose screws, 80 grit sanding block, three cans of spray paint, one wooden skewer, and a clear cord/string to hang the balls.

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Pendulum

Creedence Clearwater Revival · Bulletin of Miscellaneous Information (Royal Gardens Kew) · 1970

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Pendulum

Bulletin of Miscellaneous Information (Royal Gardens Kew)

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Pendulum

http://www.mdtpty.com.au · Bulletin of Miscellaneous Information (Royal Gardens Kew) · 2003

Design your own applications for Pocket PC PDAs/Handheld computers. The software is comprised of a PC-based editor, an integrated communications system, and the software to download Pendulum runtimes and application pages to your Pocket PC device. The program lets you create applications for almost any kind of mobile data application. It includes signature capture, bar code input facilities, drop-down list options, tick box options and function buttons. Note: Pocket PC 2003 is not currently supported.

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Pendulum

Carl Douglas Ferkinhoff, cody fierst, Matthew Sosso et al. · OSF Preprints (OSF Preprints) · 2021

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Pendulum

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pendulum

2014

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Pendulum

Spears Media Press eBooks · 2020

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Pendulum

Bastani, Hadi, Horak, Steph · Research Portal (Queen's University Belfast) · 2018

Pendulum is an improvised live electronics and visuals performance, created in collaboration with Steph Horak. It was presented at Sonorities festival 2018 at the Sonic Lab of the Sonic Arts Research Centre, Queen's University Belfast.<br/><br/>The main idea for the piece is, on the one hand, to explore, based on our own texts and sound-based practice, the apparently ‘instinctive’ human tendency towards constructing dichotomies in dealing with complex issues. We had conjectured that the existence of such a seemingly ‘natural’ inclination is a basis for the emergence of many forms of technology including the digital. To that aim, we surveyed various uses of binary oppositions within our own poetic and reflexive writings and picked a number of texts, which reflected those in relation to the notion of ‘difference’ with regards to issues of identity, gender, race, culture, and politics. On the other hand, we were keen to reflect on digital music media’s capacity to ‘reopen creative agency’ (Born 2005, 26) through ‘decomposing’ the ‘aural and visual objects into basic binary representations’ (ibid, 28); an underlying driving force responsible for the emergence and burgeoning of a digital arts and experimental electronic music scene in Iran that has been subject to scrutiny in this text. In this context, pendulum’s aim from my perspective was also to respond to a relatively recent, and still very niche, interest within EEMSI in relation to live improvised electronic music performances; a form which has been almost completely absent from the scene’s live repertoire.

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pendulum

Maloney, Andy · Figshare · 2015

A sketchup model for a simple force impaction device that uses a simple rigid pendulum to cause the impact

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pendulum

Eugene I Butikov · 2002

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Pendulum.

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Pendulum

Keller, Joseph M. · AccessScience · 2015

AccessScience is an authoritative and dynamic online resource that contains incisively written, high-quality educational material covering all major scientific disciplines. An acclaimed gateway to scientific knowledge, AccessScience is continually expanding the ways it can demonstrate and explain core, trustworthy scientific information that inspires and guides users to deeper knowledge.

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pendulum

R. Espíndola-heredia, G. Del Valle, G. Hernández et al. · 2012

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