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About 10,000 papers for “Pixel”

Pixel Brick Pixel

RepositóriUM (Universidade do Minho) · 2015

FCTMEC através de fundos nacionais e quando aplicável do cofinanciamento do FEDER, no âmbito do novo acordo de parceria PT2020.

Cited by 0

By Pixel, Pixel

Josh Bettinger · The Journal of the Abraham Lincoln Association

Cited by 0

pixel-ports/pixel-models-algorithms: PIXEL Models and Algorithms

Mdespland · Zenodo (CERN European Organization for Nuclear Research) · 2022

Release for archiving in Zenodo.

Cited by 0Open access

Pixel by Pixel: Artistic Achievements

LaLonde, Donna · Figshare · 2025

A generative art challenge was issued in the April 2023 issue of CHANCE. For this challenge, readers were asked to use their brains and computational skills to create generative art. This challenge encouraged contestants to showcase the skills and knowledge of data science while highlighting the creative applications of the discipline. This article presents the winners of the Pixel by Pixel challenge and their winning entries.

Cited by 0Open access

Pixel by Pixel: Artistic Achievements

Donna LaLonde · CHANCE · 2024

Cited by 0

Pixel by Pixel: Artistic Achievements

LaLonde, Donna · Figshare · 2025

Cited by 0Open access

Pixel

Encyclopedic Dictionary of Genetics, Genomics and Proteomics · 2004

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pixel

2014

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Pixel

Newton Lee, Newton Lee · Encyclopedia of Computer Graphics and Games · 2024

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Pixel

Baraklianou, Stella · University of Huddersfield Repository (University of Huddersfield) · 2012

This short article is an encyclopaedic style entry for the journal Philosophy of Photography. It covers the main historical aspects of the rise of the terminology, how it came to use and the applications of the term within photographic practice Further it brings to light the different aspects of analogue based practice and silver halide crystals and compares with the digital equivalent of a pixel. It argues that the transition from analogue to digital practices has bought about varying degrees of processes however the photograph remains in a state of immanence with changes happening from as much within the camera as with the compression of the image later on.

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