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About 10,000 papers for “Portrait”

Portrait / Self-portrait

Jaime Aníbal Venegas Gavilanes · AVANCA | CINEMA · 2025

Access to cinema as a pedagogical tool remains limited in addiction rehabilitation settings, despite its potential for introspection and identity building. This research analyzes the impact of cinema in these spaces, exploring its capacity to foster self-reflection and a sense of community. The study aims to evaluate how cinematic practice contributes to personal identity acceptance and the rehabilitation process, using selfportraiture as a starting point for both individual and collective exploration.Over eight months, a film workshop was conducted in a rehabilitation clinic in Mexico City. Through exercises in photography, lighting, and personal storytelling, participants conceptualized their identity through a self-portrait that evolved from personal to collective significance. The progression of their relationship with the camera and their self-expression was documented throughout.Initially, participants posed defiantly, projecting an intimidating image asking themselves, “How do I want to be seen?” They sought to portray authority, to be feared, creating a barrier before the lens. The camera-body relationship became central. Over time, as the camera rotated among participants even outside class their approach became more intimate. The camera began to probe their daily lives. My consistent presence as instructor and involvement beyond the classroom helped reveal a transformation: participants adopted more relaxed and authentic postures. This shift marked the beginning of self-portrait work after nearly seven months of connection.Additionally, class exercises and audiovisual experimentation strengthened community bonds. Each participant took on a role in production, fostering collaboration and group responsibility. Cinema proved an effective tool for rehabilitation, offering a space for expression, identity formation, and collective engagement.

Cited by 0Open access

Portrait/ Self-Portrait

Helena Gomes dos Reis Pessoa · LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas) · 2013

O tema do projeto é o autorretrato. Para sua realização foram usados três meios: a pintura, a fotografia e a internet, por meio de um blog. A fotografia é usada como base para pintura e também como resultado final. O blog funciona como caderno de artista e ferramenta para recepção dos autorretratos. Tem como questão problematizar e ampliar tanto a ideia de retrato como a de autorretrato, induzindo um entrelaçamento entre os seus significados. Estabeleço como recorte para esse tema a reflexão sobre os conceitos de identidade, de máscara, de proximidade, de distância, de ausência e o da memória.

Cited by 0

Group Portrait;Church Portrait;

Gaines, William

This is a 7x5 glass plate of individuals in front of a two-story building with a double-door entry. Title(s) by Carpenter, L.

Cited by 0

Portrait I|Variant: Portrait One

James Rose (American printmaker, born 1962)|Printer: Curlee Raven Holton (American printmaker, born 1951)|Printmaking Studio: Experimental Printmaking Institute (American printmaking studio, established 1996)

State/Edition: artist's proof, 4/5|stated and numbered, lower left: AP 4/5; titled, lower center: Origin; signed and dated, lower right: De Costa 2010

Cited by 0

Portrait IV|Variant: Portrait Four

James Rose (American printmaker, born 1962)|Printer: Curlee Raven Holton (American printmaker, born 1951)|Printmaking Studio: Experimental Printmaking Institute (American printmaking studio, established 1996)

State/Edition: artist's proof|stated, lower left: A/P; titled, lower center: "Gold Leaf"; signed and dated, lower right: AGR 2004

Cited by 0

Graduation Portrait; Portrait of Girl

The Portal to Texas History (University of North Texas)

1 copy negative of 2 images. The first is a portrait of Dan Power, who is dressed in a graduation cap and gown. The second image is a portrait of Eugenia Lee Power. She is wearing a formal dress along with a necklace, earrings, and a corsage.

Cited by 0

Portrait II|Variant: Portrait Two

James Rose (American printmaker, born 1962)|Printer: Curlee Raven Holton (American printmaker, born 1951)|Printmaking Studio: Experimental Printmaking Institute (American printmaking studio, established 1996)

State/Edition: 2/20|signed in the plate, top right: Ringgold; numbered, lower left: 2/20; signed and dated, lower right: Faith Ringgold '97

Cited by 0

Portrait III|Variant: Portrait Three

James Rose (American printmaker, born 1962)|Printer: Curlee Raven Holton (American printmaker, born 1951)|Printmaking Studio: Experimental Printmaking Institute (American printmaking studio, established 1996)

State/Edition: Printed by the artist|Signed beneath plate, lower center

Cited by 0

Woman in Portrait;Self Portrait;

Miller, Myra

This is a 5x4 glass plate of an individual leaning out an open window set into a building with siding. Title(s) by Carpenter, L.

Cited by 0