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About 10,000 papers for “Sound wave”

Sound Wave

Wan Muhamad Saridan Wan Hassan, Abd Rahman Tamuri, Muhammad Zaki Yaacob et al. · 2023

Cited by 0

Sound-wave collector

Tien-Chu Lee · The Journal of the Acoustical Society of America · 1995

First Page

Cited by 0

Sound Wave Applet

<vcard>BEGIN:vCard\VERSION:3.0\ORG:NASA Glenn Research Center\ADR;TYPE=WORK,POSTAL,PARCEL:;;21000 Brookpark Road;;Cleveland;OH;44135;US\TEL;TYPE=Organization:+216-433-4000\TEL;TYPE=:+\TEL;TYPE=FAX:+\EMAIL;TYPE=INTERNET,:\EMAIL;TYPE=INTERNET,:\END:vCard</vcard> · The Physics Video Demonstration Database (Cornell University)

Cited by 0

Sound Wave Sterilization

National Cancer Institute · Definitions · 2020

Ope n Pe e r Re v ie w on Qe ios Ope n Pe e r Re v ie

Cited by 0Open access

Our sound wave

Robin Hood and his black brothers · Bulletin of Miscellaneous Information (Royal Gardens Kew) · 2005

Volen: bass, vocals, synthesizer. Volius: synthesizer, bass, controls, vocals, percussion, programming. Improvised live 07.06.2005 at RG4B HQ.

Cited by 0

Wave : exploring sound solastalgia

Kopljar, Sandra, Koldkjær Højlund, Marie · Lund University Publications (Lund University) · 2021

Nature sounds are often seen as relaxing, and understood as reconnecting our minds and bodies with something primeval. Such sounds are used for stress recovery in the fields of medicine and psychology, as well as in our personal meditation app downloaded on our phone. At the same time a continuous climate anxiety has invaded many personal experiences in relation to nature environments and phenomena. An anxiety that seems impossible to escape. Glen Albrecht (2005) coined the notion of “solastalgia” to catch affect of eco-anxiety induced in us by global climate change. This sense of loss of comfort in the familiar world and homesickness without exile is particularly symptomatic of our contemporary experience of the world. At stake here is ontological security, the basic trust we have in the world and its rhythms that we normally rely on as predictable and secure. Moreover, the socio-ecological crisis we are going through is also and inseparably a crisis of the common sensibility in our lifeworlds. Although discreet and generally unnoticed, Robert Pyle (1978) spoke in this regard of the “extinction of experience” that increases our sense of strangeness towards the natural world. In his article Sensibilities to Lifeworlds, french sociologist Jean-Paul Thibaud investigates the impact of the socio-ecological crisis we are going through and on the emergence of a new form of sensitivity to our living environment. He argues that we need to recognize the fundamental role played by affects and take note of our capacity to be affected. In this respect, anxiety, disorder, discomfort, concern or distress are some of the moods that colors our ways of being today. It is now impossible to conceal the precariousness and fundamental vulnerability of our condition. Natural disasters and global pandemics are there to remind us of this, in case we have forgotten. From this point of view fundamental affects infuse our relationship to the world, making us feel less and less at home on earth and accentuating the impression that the ground tends to recede beneath our feet.

Cited by 0

Animating a Sound Wave

Josef Fruehwald · Front Matter · 2025

I've been teaching phonetics for the first time in a while, and I wanted to make some animations illustrating how sounds are pressure waves in propagating through the air. I worked how how to do this in a fairly tidy way, again leveraging the new stat_manual() from ggplot2, and gganimate.

Cited by 0Open access

Sound wave driven winds

H. J. G. L. M. Lamers, J. P. Cassinelli · Cambridge University Press eBooks · 1999

In stars with a convection zone just below the photosphere, the convective motions might create acoustic waves which propagate outwards through the photosphere. These sound-waves produce an extra pressure, i.e. ‘wave pressure’ in the atmosphere. This pressure will depend on the density and on the amplitudes of the waves. The gradient of the wave pressure results in a force that can drive a stellar wind. If a stellar wind is driven by acoustic wave pressure it is called a ‘sound wave driven wind’.

Cited by 0

Wave-based sound propagation . . .

Ravish Mehra, Lakulish Antani, Anish Chandak et al. · 2013

We present a novel approach for wave-based sound propagation suitable for large, open spaces spanning hundreds of meters, with a small memory footprint. The scene is decomposed into disjoint rigid objects. The freefield acoustic behavior of each object is captured by a compact per-object transfer-function relating the amplitudes of a set of incoming equivalent sources to outgoing equivalent sources. Pairwise acoustic interactions between objects are computed analytically to yield compact inter-object transfer functions. The global sound field accounting for all orders of interaction is computed using these transfer functions. The runtime system uses fast summation over the outgoing equivalent source amplitudes for all objects to auralize the sound field for a moving listener in real-time. We demonstrate realistic acoustic effects such as diffraction, low-passed sound behind obstructions, focusing, scattering, high-order reflections, and echoes, on a variety of scenes.

Cited by 0

Animating a Sound Wave

Josef Fruehwald · Front Matter · 2025

I've been teaching phonetics for the first time in a while, and I wanted to make some animations illustrating how sounds are pressure waves in propagating through the air. I worked how how to do this in a fairly tidy way, again leveraging the new stat_manual() from ggplot2, and gganimate.

Cited by 0Open access

Sound Wave Interference Applet

<vcard>BEGIN:vCard\VERSION:3.0\FN:Paul Falstad\TITLE:\ADR;TYPE=WORK,POSTAL,PARCEL:;;;;Santa Barbara;CA;;US\TEL;TYPE=:+\TEL;TYPE=:+\TEL;TYPE=FAX:+\EMAIL;TYPE=INTERNET,Personal:java@falstad.com\EMAIL;TYPE=INTERNET,:\END:vCard</vcard> · The Physics Video Demonstration Database (Cornell University)

Cited by 0