textile: Textile Images
Anh Bui [aut, cre] and Daniel Apley [ths] · 2017
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Anh Bui [aut, cre] and Daniel Apley [ths] · 2017
Cited by 1
Dogramaci, Burcu 1971-, Böhlau-Verlag
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David Watson, Anja Charlotte Gylling, Tova Andersson et al. · Nordic Council of Ministers eBooks · 2017
A transition of the textile industry towards a circular economy requires fundamental changes to how the industry operates. One of these is in adopting textile-to-textile recycling where the raw material for new products is sourced from worn out garments and other textiles. This case wallet describes how ten Nordic brands are engaging in this transition, what challenges they have experienced, how they have solved these and how they perceive the future for the industry as a whole. Developing strong partnerships across the value chain are a key factor in the pathway forward.
Cited by 8Open access
Else Roesdahl, Sarah Croix, Lise Bender Jørgensen · 2014
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JINR Document Server (Joint Institute for Nuclear Research)
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Dan Perjovschi, a Romanian artist, will be in residence at Franklin Furnace to create an installation/ performance which will satirize the art-making and critical process: First the artist will draw thousands of little human faces across the wall space of
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De Wilde, Willy P., Euromech 1995 Lyon · 1995
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David Watson, Maria Elander, Anja Charlotte Gylling et al. · TemaNord · 2017
Extending the active lifetimes of textile products should be prioritised in efforts to reduce the environmental impacts of textile production. However, once textiles are worn out, recycling them back into new textile products is environmentally advantageous compared to incineration or landfill. A number of Nordic brands have been venturing out on pathways towards textile-to-textile recycling both through designing for ease of recycling and thus increase potential supply, and through using recycled materials in new products. This report compares the experiences of eleven of these and documents their motivation, challenges they’ve experienced and the strategies they’ve used to overcome these. The report is published in parallel with a case wallet and aims to inspire other brands to engage in closed loop thinking.
Cited by 16Open access
1988
Cloth calendar for year 1988, calendar imprinted in blue below scene of wooven/children in village life, make of applique & embroidery, with small stuffed figurines; "Por una Cultura de la Solidaridad" is the theme; issued by the Archbishop of Santiago, Vicariate of Solidarity
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Jan W. Gooch · 2011
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Black B, S. Kannan, K. Dh et al. · 2013
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Red, black, and white textile made from three panels of fabric woven from cotton with two fringed edges; probably an uis gobar.
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Light and dark blue textile woven from cotton with two fringed edges.
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Blue, red, white and black textile made from three panels of fabric woven from cotton with two fringed edges.
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Small bundle of dark brown raw cotton and seeds.
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Gauzy, thin white cotton huipil cloth composed of three panels loosely stitched together with white thread. Each panel has bands of white inlay supplementary weft woven motifs including circles, birds, deer, and men; every panel has four selvedges.
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Half panel, possibly of a huipil, woven in red ground with two sets of three thin green vertical warp stripes; supplementary weft motifs separated by sets horizontal weft stripes; motifs include characteristic motifs of birds with outspread wings along with mountain ranges in green, blue, purple, yellow and white; loose fringe on two sides.
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