LibGuides. Streaming Video . Streaming Video.
Bernard Helms · 2015
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Read the abstract, see who wrote it and who cites it, and get the citation in APA, MLA, Chicago or Harvard.
About 10,000 papers for “Video streaming”
Bernard Helms · 2015
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Trish LeBlanc · 2013
Learn how to use NSCC's streaming video resources from CBC, NFB, Films on Demand, and Montie Safetycare!
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Rhonda Rosen · 2010
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Shannon Tennant · 2018
This guide will help you find streaming video and audio resources that our campus subscribes to. Other collections of streaming video available to Elon University.
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Katy Tucker · 2020
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Katherine Fish · 2014
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Shannon Tennant · 2018
This guide will help you find streaming video and audio resources that our campus subscribes to.
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Arantes, Livia Maia, Barra, Luca, Cascajosa, Concepción et al. · New York University Press eBooks · 2023
An international team of experts explores how streaming services are disrupting traditional storytelling. The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun commissioning and financing their own original movies and TV shows, changing the way and the rate at which content is produced across the globe, from Mexico City to Mumbai. Streaming Video maps this international production boom and what it means for producers, audiences, and storytellers. Through eighteen richly textured case studies, ranging from original Korean dramas on Netflix to BluTV’s experimental Turkish series, the book investigates how streaming services both disrupt and maintain storytelling traditions in specific national contexts. To what extent, and how, are streamers expanding norms of television and film storytelling in different parts of the world? Are streamers enabling the creation of content that would not otherwise exist? What are the implications for different viewers, in different countries, with different tastes? Together, the chapters critically assess the impacts of streaming on twenty-first century audiovisual storytelling and rethink established understandings of transnational screen flows.
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Bulletin of Miscellaneous Information (Royal Gardens Kew)
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Jim Bizzocchi · 2005
In my research program, Ambient Video, I am investigating the impact of the introduction of large, high-resolution, flat-screen displays on the aesthetics and techniques that will be used in productions created in the future when this type of display is common. This paper for Creativity & Cognition 2005 provides background and context for the exhibition of a video art work, Streaming Video, which has been created as part of the research.
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Hao Luan, Kin-wah Kwong, Xiaojun Hei et al. · 2008
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Bulletin of Miscellaneous Information (Royal Gardens Kew)
This is an instructional video for those of you who would like to attend the UK Videobloggers BBQ and Piss UP, but can't attend, well we are having the thing video streamed from 6pm onwards, here's how to get it and watch it.
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deg farrelly · 2014
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Marie-Neige Garcia, Savvas Argyropoulos, Nicolas Staelens et al. · T-labs series in telecommunication services · 2014
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Howie Singer, Bill Rosenblatt · 2023
Abstract This chapter discusses the rise of streaming video services and apps as popular means of distributing and consuming music. It details the rapid rise of both YouTube in the mid-2000s and TikTok in the late 2010s. The chapter covers the roles of user-uploaded content, audio recognition technology, and laws such as the Digital Millennium Copyright Act (DMCA), all of which enabled services like YouTube and TikTok to leverage “opt-out” music licensing as opposed to the “opt-in” licensing used by services like Spotify. It discusses the various attempts to address the so-called value gap that has resulted from opt-out licensing, and the global nature of opt-out licensing facilitating the rise of global megastars like Justin Bieber and Luis Fonsi. The chapter also covers phenomena such as viral hits on YouTube, back-catalog music that has been revitalized on TikTok, and the increasing influence on the creative process of user-selected short clips on TikTok.
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Garcia, M-N, Argyropoulos, S, Staelens, Nicolas et al. · Ghent University Academic Bibliography (Ghent University) · 2014
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Lotz, Amanda D. 1974-, Lobato, Rehuel Cohen · New York University Press eBooks · 2023
An international team of experts explores how streaming services are disrupting traditional storytelling. The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun commissioning and financing their own original movies and TV shows, changing the way and the rate at which content is produced across the globe, from Mexico City to Mumbai. Streaming Video maps this international production boom and what it means for producers, audiences, and storytellers. Through eighteen richly textured case studies, ranging from original Korean dramas on Netflix to BluTV’s experimental Turkish series, the book investigates how streaming services both disrupt and maintain storytelling traditions in specific national contexts. To what extent, and how, are streamers expanding norms of television and film storytelling in different parts of the world? Are streamers enabling the creation of content that would not otherwise exist? What are the implications for different viewers, in different countries, with different tastes? Together, the chapters critically assess the impacts of streaming on twenty-first century audiovisual storytelling and rethink established understandings of transnational screen flows.
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Ivan V. Bajić · AccessScience · 2016
AccessScience is an authoritative and dynamic online resource that contains incisively written, high-quality educational material covering all major scientific disciplines. An acclaimed gateway to scientific knowledge, AccessScience is continually expanding the ways it can demonstrate and explain core, trustworthy scientific information that inspires and guides users to deeper knowledge.
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Sara Morris · 2011
This page is a listing of just a few of the many websites providing free streaming. It is by no means comprehensive.
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María Eugenia González · 2014
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