Search 250 million research papers

Witness to the Witness

Dulles, Avery · DigitalGeorgetown (Georgetown University Library) · 1999

Cited by 0

Witness Preparation: Witness and Attorney Ratings of Witness Performance

Lisa Kan, Marcus T. Boccaccini, Mark D. Stonger et al. · PsycEXTRA Dataset · 2006

Cited by 0

A Witness of a Witness

2018

Cited by 0

Witness

Catholic University of America Press eBooks · 2025

Cited by 0

Witness

D'Costa, Rhett · RMIT · 2024

BACKGROUND The artwork is an archival digital print, titled Witness. Set in a panoramic landscape of the Central Victorian goldfields region in Australian, the image includes an Indian man dressed in a quintessential English suit and a photographic lighting prop. The relationship between these three components is inscribed with a red line calling into question their connected meaning and tri-partisan relationship. CONTRIBUTION Reading the space in the work through a post colonial lens, brings into focus Homi Bhabha's discourse on mimicry, authenticity and the right to narrate as a means of revising and reestablishing a sense of national and communal identity in a global world. In this context, the artwork highlights the tenuous and often unresolved space of Australian history in the context of settler and migrant culture (not to mention, indigenous culture). The work plays on the ambiguous and often ambivalent nature of national and cultural identity in the context of power, drawing out sociologist Laymert Garcia dos Santos' compelling question, Who has the right to belong to the future of humanity, and who is condemned to disappear? SIGNIFICANCE The camera equipment in the photograph attempts to capture and document this narrative as indexical truth. As the great black American writer, James Baldwin contended, history is not a thing of the past. It is now. It light of current events relating to right wing politics, fake news, and the debacle surrounding migration and refugees, Witness opens up this space for critical enquiry.

Cited by 0Open access

Witness

David Hajdu · The Oral History Review · 2026

Cited by 0

Witness

Eleonore Schönmaier · McGill-Queen's University Press eBooks · 2017

Cited by 0

Witness

Adrian Parr · McGill-Queen's University Press eBooks · 2023

Cited by 0

Witness

Leo Kenney |born 1925, Spokane, Washington; died Seattle, Washington, 2001 · 1947

Cited by 0

Witness

Douglas Burton-Christie, Oscar A. Romero · Project Muse (Johns Hopkins University) · 2001

Cited by 0

Witness

Hielema, Syd, Matheis, Norm · Dordt Digital Collections (Dordt College) · 2004

Witness is a beautiful devotional book that brings to life thirty heroes of faith who gave witness to their Lord. Artist Norm Matheis put a face to each of these believers to inspire others to serve the Lord and Maker of the universe. Each compelling painting is accompanied by text. Sydney Hielema uses the first person narrative to tell each character's story directly and concisely. Witness is a rich devotional resource for both adults and children.

Cited by 0

Witness

2009

qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer tyuiopasdfghjklzxcvbnmqwertyuiopas dfghjklzxcvbnmqwertyuiopasdfghjklzx cvbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw ertyuiopasdfghjklzxcvbnmqwertyuiop asdfghjklzxcvbnmqwertyuiopasdfghjkl

Cited by 0

witness

Oliver Buzzard (14130309) · Figshare · 2022

Cited by 0Open access

WITNESS

R.S.B. GOSPEL SINGERS, M. Woods, R. Martin · Bulletin of Miscellaneous Information (Royal Gardens Kew) · 1952

Performer: R.S.B. GOSPEL SINGERS Writer: M. Woods Spiritual; Composer; Arr. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: CO 48573 Catalog number: 6940 Other IDs from the record include: (CO 48573)

Cited by 0

Witness

Miranda, Juan A. · NSUWorks (Nova Southeastern University) · 2010

Cited by 0

Witness

Gade, Jacob, Gabriel, Chas. H. Jr. · Kiva (The University of Tennessee, Knoxville) · 1922

Cited by 0

WITNESS

James Nelson Saum, Ann Riley, James Nelson Saum · 1999

16 The above-entitled matter came on for interview, 17 pursuant to notice, at 11:00 a.m. 18 19 BEFORE: 20 PHILIP V. JOUKOFF, Investigator 21 22 23 24 25 EXHIBIT_____

Cited by 0

Witness

Cook, Nancy L. · 2006

The article explores the concept of "witness" by looking at the history and tradition of giving testimony in three contexts, legal history, religion, and literary narrative, with the goal of situating lawyers within these traditions. The author's interest in the topic was prompted by years of frustration with the circumscribed role of lawyers in the judicial system's truth-telling enterprise and, more profoundly, by concerns with lawyers' restrained capacity to shape truth in the larger, social-cultural sense. The question asked, therefore, is whether lawyers, who are positioned to witness (as in "behold") so much about society, and have the social authority to witness (as in "attest") to what they have seen, have an obligation, or at least a right, to speak. If so, what are the parameters of this role, what are its roots, and what is the nature of the discursive practice?

Cited by 0

Witness

Trevino L. Brings Plenty · World Literature Today · 2017

WORLDLIT.ORG 43 Witness by Trevino L. Brings Plenty there are persons who delight in human suffering delight in compromising potable water reward themselves with short-term gains there are persons who delight in pepper-spraying humans milky relief aftermath rubber bullets hit back lung cough blood for days contusion bloom skinrupture bone preen delight in lethality increase water stream freezing temperature hypothermic human body response there are persons who delight in human torment screams delight in suffering water irony blue night shiver fear grenade amputate limb Trevino L. Brings Plenty is a poet, musician, and multimedia video artist who lives, works, and writes in Portland, Oregon. He has read/performed his work at poetry festivals as far away as Amman, Jordan, and close to his home base at Portland’s Wordstock Festival. In 2015 Trevino was the C. Hamilton Bailey Fellowship recipient. ...

Cited by 0

Witness

Douglas Burton‐Christie, Oscar A. Romero · Spiritus · 2001

The power of an authentic witness, of a life intimately bound up with and marked by the truth it seeks, is undeniable. It is also unnerving. To engage such a witness, to confront the truth of such a life, is almost inevitably to find oneself led to reexamine the depth of one's own commitments, to rethink what a human life can be. In this issue of Spiritus, we feature essays about some of the most remarkable witnesses of the twentieth century. Some of them, such as Oscar Romero, Dietrich Bonhoeffer, Walter Rauschenbusch, and W.E.B. DuBois, are well known. Others, like the Cistercian monks of Tibhirine and their companions in Algeria, Sister Paule-Hélène Saint-Raymond, Sister Caridad María Alvarez, Sister Jeanne Littlejohn and Sister Odette Prévost, are hardly known at all outside of their immediate circles of family and friends. Yet, these also are integral to the meaning of witness in our time. So too are the countless souls, mostly anonymous, who have perished under the crushing weight of political or economic oppression, whose lives have been swept away, apparently reduced to nothing. To remember and reflect upon and bring to light the truth of these lives is part of an ongoing moral task given to each of us. "Those who are alive," suggests Polish poet Czeslaw Milosz, "receive a mandate from those who are silent forever. They can fulfill their duties only by trying to reconstruct precisely things as they were and by wrestling the past from fictions and legends."

Cited by 0