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About 10,000 papers for “everyday objects”

Everyday Objects

Parra Pérez, Diana Angélica, Galbreath, Amber, Corredor Plazas, Nelson Javier et al. · Intellectum (Universidad de La Sabana) · 2015

Cited by 0

Everyday Objects

Peter Stallybrass · 2020

In 1958, Lucien Febvre and Henri-Jean Martin published their formative account of “the coming of the book” (L’Apparition du Livre), subtitled in its later English translation as “the Impact of Printing, 1450–1800.”Febvre and Martin (1958). As many scholars have pointed out, there is a curious tensio

Cited by 0

Everyday Objects

Allison McBain Hudson · University Press of Mississippi eBooks · 2024

The chapter asks us to give up a traditional strategy of reading so that we may discover an understanding of the trilogy that has been in front of us all along. Rather than reading the objects of Emily’s life as symbolic, Hudson encourages us to think about how Emily’s life is shaped by the fact that in the diegetic space, these things <italic>are things</italic>. Rather than conceiving of objects as imaginary constructs, she suggests how encountering the embodied elements of Emily’s imagined world illuminates the materiality of this fictional life.

Cited by 0

Everyday Political Objects

Fletcher, C. (Christopher) · LillOA (Université de Lille (University Of Lille)) · 2021

Cited by 0Open access

Foreword. Everyday Objects

A. Mecacci · Florence Research (University of Florence) · 2014

Presentazione del numero monografico su Everyday Objects

Cited by 0

Activating Everyday Objects

Roy Want, Mark Weiser, Elizabeth Mynatt · 1998

this paper, we discuss the inherent advantages of enhancing everyday objects with computation, describe three key research problems that must be addressed to achieve these advantages and outline our approach in these areas.

Cited by 0

Everyday Political Objects

Directory of Open access Books (OAPEN Foundation) · 2021

Ages, Christopher, Contemporary, Everyday, Fletcher, Middle, Objects, Political, World

Cited by 0Open access

Everyday Objects - Still Life

Marian R Metzger · Scholarly Commons (Embry–Riddle Aeronautical University) · 2019

The painting is a water color of everyday objects including metal bowls and vehicle components. Multiple layers of different colors were applied over the course of several weeks to enhance the color and dimension of the artwork.

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Co-opting Everyday Objects

Elizabeth Mynatt Everyday · 2000

this paper, I take an all-encompassing view of augmented reality that is often also attributed to the work in ubiquitous computing. Namely that computation pervades our everyday environments, whether visible or invisible, it is intertwined with our daily experience. From my work as an experienced researcher and a acolyte designer, I want to initiate a discussion about how we augment the physical world by first understanding how people currently use common everyday objects, and then designing new capabilities that reify and enhance these practices

Cited by 0

Living with Everyday Objects

Yuriko Saito · 2025

Everyday aesthetics, one of the most recent subdisciplines of philosophical aesthetics, is often credited with opening the door to the aesthetic potential of a wide-range of different aspects of our lives. Its main contribution is generally regarded as challenging and expanding the scope of the dominant art-focused Anglo-American aesthetics of the twentieth century. It is more accurate, however, to characterize its contribution as restoring the original meaning of ‘aesthetic,’ focused on the sensory, and hence ubiquitous in our lives. The presumed newness of everyday aesthetics should thus be understood in its proper historical and cultural context. Aesthetic concerns with various aspects of our lives often appear in Western philosophy before everyday aesthetics; furthermore, they are prevalent in other cultural traditions.

Cited by 0

Not Your Everyday Objects

Marcin Rychter · Eidos A Journal for Philosophy of Culture · 2024

This is a very unusual book and it is so in several different respects.Firstly, it is co-authored and that already makes it a rare bird in contemporary philosophical output.Secondly, the author duo represent different academic disciplines.Graham Harman is a philosopher devoted to developing and promoting his own metaphysical system, which he dubbed Object Oriented Ontology (OOO), whereas Christopher Witmore is an archaeologist and classicist focused on the material heritage of Ancient Greece.It is not just the fact that the book is co-authored by people with different professional backgrounds that makes it unique, but also that both authors themselves stand apart within their own fields.With his consistent focus on creating and constantly improving his own "theory of everything" while at the same time refusing to conform to either of the dominant trends in both continental and analytical philos-

Cited by 0Open access

Everyday objects and conversations

Arunima Bhattacharya · 2020

This chapter employs analytic autoethnography to document and interpret the affective relations between the diverse categories of identification that the author is subject to in the transnational context of the UK. It investigates the socio-cultural import of being a migrant student/academic in the UK Higher Education and critically evaluates the points of intersection between personal and institutional biases. The chapter further seeks to narrativise the process of critical self-reflection by referencing the author’s interaction with taxi drivers in the UK. The analysis draws on post-colonial criticism, affect studies and “discomfort” as a critical concept to critique the affective structures of “nation” and “nationalism” that naturalises one’s complicity in narratives of power and oppression. The chapter identifies “epistemologies of ignorance” within the context that situates the author’s south Asian identity in the transnational space of the UK and extends it as essential to interpreting the manifestations of “hostile environment” that migrant workers are subject to in the UK. Finally, the chapter proposes narratives of “discomfort” to arrive at the emotional histories that bind categories of identification to their social manifestations.

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