“Musicality” papers · AI for Research

Musicality

Vanderbilt University Press eBooks · 2015

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Musicality

Hallam, S · UCL Discovery (University College London) · 2012

© Oxford University Press 2006. All rights reserved. There is abundant evidence that humans as a species are 'musical', that they share similar brain structures that respond to music. However, it may be that it cannot be established, beyond doubt, to what extent individual musical ability is learned or inherited. Pragmatically, this chapter suggests that people provide their children with opportunities from the earliest age to develop their musical skills. If resources are limited and selection has to be made, interest in music and motivation to engage with it may prove to be better determinants of success than traditional tests of musicality.

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Musicality

Aaron Kerner · Edinburgh University Press eBooks · 2023

Music, or something approaching music, such as the musiscalization of the voice in poetry, or the musicalization of the image, possesses the ability to affect us—to elicit goosebumps, tears.

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Musicality

2018

“Brands can make claims about themselves, but the marketplace will ultimately decide what feels credible and true.”Lieb (2013, 20).Lieb (2013, 20).At least three of the concepts I have used in this book to define Japanese Fluxus apply to music: ephemerality, experimentalism, and specificity. In fact

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Musicality

Guest, Barbara 1920-2006, Felter, June 1919- · 1988

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Musicality

Indiana University Press eBooks · 2020

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Musicality

Cornelia Watkins, Laurie Scott · 2023

Abstract This chapter guides readers to consider what they are hearing when they recognize musical performing, and how they create musical performances themselves. Readers consider whether they believe musicality can be learned, provides expressive approaches that can help nurture the musicality of students. The relationship between technique and musicality is examined. Musical exploration opens two pathways to musical expression: by helping a performer become more aware of the connection between written music and personal expression, and by revealing the possibility of many ways to play musically. The chapter further discusses the different categories of knowledge and expression that influence musicality, such as the ability to perform with a variety of dynamics, articulations, and tone colors; a well-developed sense of timing, pacing, and tempo; the ability to connect a group of notes into a single, unified shape that completes a musical idea; and the ability to respond to changes in harmonies and other compositional elements in a meaningful way.

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Musicality.

1999

Compelling and/or harmonious result achieved by germane treatment of line, form, and color. The capacity of line and color to impact the viewer independently of subject matter became in the late nineteenth century a favorite notion of artists. Charles * Baudelaire, while writing about Eugène Delacro

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Bi-musicality

Timothy Rice · Oxford Music Online · 2001

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Ethical musicality

Eva Säther · Nordic Research in Music Education · 2023

The article is a review of Ethical Musicality (Gro Trondalen, 2023, Routledge) by Eva Sæther (Malmö Academy of Music, Lund University, Sweden).

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Reassembling Musicality

G Douglas Barrett · Transfers · 2018

Reassembly, curated by G Douglas Barrett and Petros Touloudi Tinos, Greece 5 July 2017 to 31 October 2017 The free movement of bodies and objects once considered critical for the smooth functioning of contemporary art has appeared, especially since 2017, increasingly uncertain in this era marked by new forms of nationalism, xenophobia, and economic isolationism. Indeed, many artists working in this environment have found it difficult or impossible to cross once unquestionably open borders, or to ship works to and from exhibitions held across a requisitely international stage. As an attempt to respond to this crisis, I, along with Petros Touloudis, curated Reassembly, an exhibition held in the summer of 2017 on the island of Tinos, Greece. The exhibition came out of an annual residency program organized by Touloudis’s Tinos Quarry Platform and was held at the Cultural Foundation of Tinos. Overall, we wanted to ask if there is a critical role for music can play in the field contemporary art, especially as its plagued by new forms of border policing and geopolitical conflict.

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musicality, n.

Oxford University Press eBooks · 2023

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Developing Musicality

Allison D. Adams, Brian R. Horner · 2023

Abstract This chapter presents insights and exercises to help students transcend the technical aspects of the instrument and move toward realizing its potential for musical expression.

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Developing Musicality

Barbara English Maris · 2000

Abstract “But,” you say, “I’m only a beginner! I’m just starting. How can I sound like a musician? How can I make my playing sound musical? Aren’t you expecting too much? Doesn’t that have to happen much later?” With confidence, I offer you my answers: “No. I am not expecting too much. No! You do not have to wait until much later in order to sound musical.”

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Communicative Musicality

Susan Young · 2023

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Ethical musicality

Trondalen, Gro 1956- · 2023

"Ethical musicality addresses the crossroads between music and ethics, combining philosophical knowledge, theoretical reflection, and practical understanding. When tied together, music and ethics link profoundly, offering real-life perspectives that would otherwise be inaccessible to us. The first part elucidates music and ethics through some influential and selected scholars ranging from antiquity via modern philosophy to contemporary voices. In the second part, different roles and arenas are illustrated and explored through various music practices in real-life encounters for the musician, the music educator, the music therapist, the musicologist, the 'lay' musician, and the music researcher. The third part unfolds an ethical musicality focusing on the body, relationship, time, and space. Following these fundamental existentials, ethical musicality expands our lifeworld, including context, involvement, power, responsibility, sustainability, and hope. Such an ethical musicality meets us with a calling to humanity-offering hope of a 'good life'"--

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Ethical Musicality

Trondalen, Gro · BiblioBoard Library Catalog (Open Research Library) · 2023

Ethical Musicality addresses the crossroads between music and ethics, combining philosophical knowledge, theoretical reflection, and practical understanding. When tied together, music and ethics link profoundly, offering real-life perspectives that would otherwise be inaccessible to us. The first part elucidates music and ethics through some influential and selected scholars ranging from Antiquity via modern philosophy to contemporary voices. In the second part, different roles and arenas are illustrated and explored through various music practices in real-life encounters for the musician, the music educator, the music therapist, the musicologist, the ‘lay’ musician, and the music researcher. The third part unfolds an ethical musicality focusing on the body, relationship, time, and space. Following these fundamental existentials, ethical musicality expands our lifeworld, including context, involvement, power, responsibility, sustainability, and hope. Such an ethical musicality meets us with a calling to humanity - offering hope of a ‘good life’.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a CC BY NC ND Creative Commons Attribution-NonCommercial-NoDerivatives (CC-BY-NC-ND) 4.0 International license

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Ethical Musicality

Trondalen, Gro · BiblioBoard Library Catalog (Open Research Library) · 2023

Ethical Musicality addresses the crossroads between music and ethics, combining philosophical knowledge, theoretical reflection, and practical understanding. When tied together, music and ethics link profoundly, offering real-life perspectives that would otherwise be inaccessible to us. The first part elucidates music and ethics through some influential and selected scholars ranging from Antiquity via modern philosophy to contemporary voices. In the second part, different roles and arenas are illustrated and explored through various music practices in real-life encounters for the musician, the music educator, the music therapist, the musicologist, the ‘lay’ musician, and the music researcher. The third part unfolds an ethical musicality focusing on the body, relationship, time, and space. Following these fundamental existentials, ethical musicality expands our lifeworld, including context, involvement, power, responsibility, sustainability, and hope. Such an ethical musicality meets us with a calling to humanity - offering hope of a ‘good life’.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a CC BY NC ND Creative Commons Attribution-NonCommercial-NoDerivatives (CC-BY-NC-ND) 4.0 International license

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Evolving Musicality

Andrea Ravignani, Marco Gamba · Trends in Ecology & Evolution · 2019

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